€600,00
€372,00
LOCULE SCULPTURE 1
Bring a touch of organic flow and form into your space with the Locule Sculpture from Yiorgos Trichas' Locule collection. The artistic intent of the work is to embody the beauty and complexity of natural forms with its inspiration drawn from the small cavities or compartments within living organisms.
Each Locule Sculpture is carefully handcrafted and finished in a warm golden-brown that translates both the artist’s hand and skill, as well as the elegance that can be found within the natural world.
Every piece is unique and one-of-a-kind, abstract in its design for both contemplation and admiration.
MATERIAL & CONSTRUCTION
Made from premium, high-quality ceramic for a smooth, tactile and durable finish.
Artisanal and handcrafted with Yiorgos Trichas' signature level of expertise and attention to detail.
Yiorgos Trichas’ (b. 1982, Athens, Greece) journey starts in Syros where he was brought up.
Syros offered him a unique sense of freedom and a deep appreciation of art as an essential part of the quotidian.
It is the memory of that place that brings him back to his raw state; it reminds him of who he is and who he wants to be. It is there that he draws his inspiration from; the Cycladic light streaming in through the shutters, the smell of bare earth, the pastel hues, the neoclassical architecture.
As a speech therapist, Trichas gets daily reminders that in life, there is plenty of room to change and reshape, once you bring something back to its unprocessed, unrefined state and resculpt it. The making of ceramics is no different; the creator imagines, handles, manipulates, sculpts, withdraws and ponders the result.
Lorem ipsum, or lipsum as it is sometimes known, is dummy text used in laying out print, graphic or web designs. The passage is attributed to an unknown typesetter in the 15th century who is thought to have scrambled parts of Cicero’s De Finibus Bonorum et Malorum for use in a type specimen book.
Lorem ipsum, or lipsum as it is sometimes known, is dummy text used in laying out print, graphic or web designs. The passage is attributed to an unknown typesetter in the 15th century who is thought to have scrambled parts of Cicero’s De Finibus Bonorum et Malorum for use in a type specimen book.
To maintain the sculpture's pristine appearance, gently dust with a soft, dry cloth. Avoid using abrasive cleaners that may damage the finish. Given its handcrafted nature as a one-off piece, slight variations in shape and colour are natural and intentional.
